Scouring the Soul: Cleansing, Clay, and Ritual Purification in Ancient Egypt
Part II in the Skincare & Cosmetics Series on ScarabsandSilk.com
By Dame Talia bint al-Athir, OP
✨ Introduction: To Be Clean Before the Gods
In ancient Egypt, purification was more than a matter of hygiene—it was a sacred state of being. To present oneself before the gods, in temple or tomb, one had to be cleansed in both body and spirit. This belief manifested not only in religious ritual, but also in daily life, where washing, scrubbing, and exfoliating were essential to maintaining physical health, social identity, and spiritual readiness.
Cleansing practices were deeply embedded in the culture, and the materials used—natron, clay, salt, shell, and plant ash—reveal a nuanced understanding of bodily care and ritual symbolism. These materials didn’t just clean; they transformed. To exfoliate was to renew, to remove dirt was to drive away disorder, and to wash was to invite the sacred back into the body.
🧂 Natron: Salt of the Gods, Cleanser of the Dead
One of the most important cleansing substances in ancient Egypt was natron—a naturally occurring mineral composed of sodium carbonate, bicarbonate, and small amounts of salt and sodium sulfate. It formed in dry lake beds, especially in the Wadi Natrun, and was harvested in large quantities throughout Pharaonic history.
Natron was used for:
- Body and handwashing in both temple and domestic contexts
- Exfoliating scrubs, often paired with honey or oil
- Wound and skin treatments, due to its antibacterial properties
- Purifying sacred items and offerings
- Drying and preserving the dead in embalming rituals
📜 From the Medical Papyri:
The Ebers Papyrus recommends natron in several recipes for skin conditions:
“To cleanse the face of impurities and blemishes: natron, honey, and crushed barley.”
The pairing of a drying, mineral-rich salt with honey (a natural humectant and antiseptic) created a balanced paste that would cleanse, hydrate, and purify.
Natron was not simply a “soap substitute.” It was a ritual purifier. Temple inscriptions describe priests washing with natron before entering sacred spaces, while funerary texts refer to the dead being “cleansed with the salt of divine origin” to prepare the body for eternity.
🏜️ Natron as Industry: From Desert Salt Flats to Temple Basins
Though natron was associated with personal hygiene, purification, and mummification, it was also a commodity of economic and spiritual infrastructure. Its value extended far beyond individual use—forming part of the broader Egyptian economy and religious logistics.
Where Did Natron Come From?
The most famous source of natron in ancient Egypt was the Wadi Natrun, a depression northwest of Cairo in the Western Desert. This area contained shallow salt lakes and dry beds where natron formed naturally through evaporation. These deposits—especially around lakes like El-Bahr el-Ratib—were known for producing high-quality natron with the right blend of sodium carbonate and bicarbonate.
Natron was also harvested from:
- The Wadi El-Natrun during late summer or dry seasons
- Al-Fayyum oasis, with smaller but accessible salt deposits
- Various dried-up lakebeds in Middle and Upper Egypt
Harvesting was a labor-intensive process, involving the scraping of dry natron crusts, sieving to remove sand and silt, and packing the mineral for transport in ceramic jars, baskets, or wrapped bundles.
Natron as a Controlled Commodity
Natron was not simply collected and carried off. It was often state-controlled and its distribution, especially for embalming and temple use, may have been overseen by administrators tied to royal or priestly institutions.
Papyri from the New Kingdom mention:
- Quantities of natron delivered to temples during festivals
- Embalmers receiving state-allocated natron for preparing elite burials
- Priests of purification (wab) assigned to manage natron stores
📜 In the Wilbour Papyrus (20th Dynasty), references to temple estates receiving natron suggest it was included in the provisioning of sacred precincts alongside grain, wine, and incense.
It’s likely that temples employed workers or subcontracted crews to manage harvesting, refining, and transport—especially during major festival seasons like the Feast of Opet or Beautiful Festival of the Valley, when large-scale purification rituals were performed for deities and the king.
Storage and Use in Temples and Tombs
Natron was stored in:
- Large amphorae or ceramic jars with sealed tops to prevent moisture contamination
- Carved stone vessels in temple purification rooms
- Small alabaster or faience jars found in tombs for personal afterlife use
In temple contexts, natron was placed near:
- Basins in Per-Sedjem (washing chambers)
- Storage rooms where unguents and incense were kept
- Offering tables as part of daily purification rites for gods and sacred spaces
In funerary contexts, natron was:
- Used to dry and disinfect the body
- Included in the tomb as part of the deceased’s purifying tools
- Sometimes scattered across linen wrappings or left in jars for symbolic protection
Group of stone vessels from a tomb at Haraga, used for storing oils, unguents, or purification substances. Middle Kingdom, ca. 1887–1750 BCE.
Symbolic Meaning of Natron
Natron represented:
- Purity and clarity (associated with white, crystalline appearance)
- Dryness and incorruptibility (essential in embalming and ritual space maintenance)
- Solar transformation (its evaporative formation mirrored creation through sun and water)
Its use wasn’t merely chemical—it was theological. To apply natron to the body, offering, or sacred image was to affirm order and dispel rot, to bring the subject into alignment with maʿat and drive out isfet.
🧼 Early Soaps and Cleansing Pastes
Although the Egyptians did not make true soap in the modern chemical sense (through full saponification of fats with lye), they developed a variety of cleansing agents and pastes that served a similar function.
These included:
- Ash and oil blends used for degreasing or scouring
- Clay and natron pastes applied to the body and rinsed off
- Crushed date seeds, barley, or shell as physical exfoliants
- Scented scrubs combining resins or essential oils with abrasive bases
📜 Recipe from the Hearst Papyrus:
“To cleanse the limbs of filth: barley flour, natron, crushed date pits—mixed with milk or water.”
This formulation suggests a paste applied to the skin, scrubbed gently, and then rinsed. Barley was a key exfoliant, providing a gentle but effective graininess, while milk (or milk substitutes like plant-based water infusions) soothed the skin.
Soaps and pastes were often scented—not just for appeal, but for ritual significance. A fragrant body was a purified body. Even in cleansing, olfaction and purity were linked.
🪨 Clay, Silt, and the Nile as Cleanser
Another fundamental element in Egyptian cleansing was clay, particularly fine silt harvested from the Nile or desert wadis. Clays like kaolinite and montmorillonite are still used in natural skincare today for their oil-absorbing and detoxifying properties.
These clays were:
- Used to make mask-like pastes for the face and limbs
- Mixed with natron or honey to exfoliate and tone
- Believed to draw impurities not only from the skin, but from the spirit
Clay also played a symbolic role. In cosmology, humans were believed to have been fashioned by Khnum, the ram-headed creator god, on a potter’s wheel of clay. To cover the body in clay during purification was to return to origin—to be spiritually reshaped and made whole again.
Temple texts often describe the washing of statues and offerings in clay and natron mixtures, reinforcing that what was used on the divine image was equally suitable for the human body.
⚖️ Embodied Order: Exfoliation Across Gender and Class
Cleansing and exfoliation were not limited to temples or elite homes—they were practiced across Egypt’s social spectrum, though with meaningful variation in tools, techniques, and materials. Whether in the courtyard of a noblewoman’s villa or the corner of a village courtyard in Deir el-Medina, the act of skin purification marked boundaries of health, identity, and ritual readiness.
👩🦰 Women’s Work and Bodily Care
In household settings, especially among women, exfoliation was likely part of weekly bathing and beautification routines. Tomb scenes and literary texts show women helping one another with grooming—scrubbing, braiding hair, applying salves, and sometimes massaging scented oils into the limbs.
Materials for exfoliation in this context included:
- Ground barley or wheat flour
- Crushed date pits or legumes
- Clay mixed with honey or milk
In New Kingdom love poetry, the desired woman is praised not only for her scent and hair but also for her smooth limbs and “fresh skin.” This literary trope likely reflects a shared cultural appreciation for softness and polish as signs of youth, vitality, and divine favor.
🪣 Women may have worked in small groups to assist each other, particularly before feasts or fertility rites—mirroring the communal practices found in birthing, weaving, and mourning.
🧍♂️ Working-Class Cleansing and Laboring Bodies
Among laborers, exfoliation may have served both practical and preventive functions. For workers exposed to the sun, dust, and repetitive friction, cleansing pastes and scrubs would have helped prevent:
- Cracked skin and sores
- Irritation from sweat or chafing garments
- Heat rash or insect bites
Excavations at Deir el-Medina have revealed humble cosmetic palettes, grinding tools, and jars of scented oils—not just in elite homes but in the quarters of artisans and builders. The presence of natron and ground stone suggests exfoliation was not out of reach for working-class Egyptians, though the materials were likely coarser and less perfumed than elite blends.
Ritual purification, however, may have been limited by role and access. Priestly status, gender restrictions, or economic barriers could determine whether one bathed in scented oils or settled for a barley-and-clay rub at the well.
Relief depicting Pharaoh Ptolemy XII being purified by the gods Horus and Thoth, symbolizing the divine endorsement and ritual cleansing essential for kingship. Temple of Kom Ombo, Egypt.
👑 Elite Ritual Grooming and Attendant Labor
Among the elite, exfoliation was often performed by attendants or servants trained in the preparation of cosmetic materials. Tombs of officials such as Rekhmire (TT100) and Sennefer (TT96) include depictions of:
- Servants grinding barley
- Women massaging oils into the limbs of their mistress
- Specialized workers handling unguents, towels, and scrubbing tools
🧴 Some attendants even bore titles related to their role, such as:
- “Sesh per shemen” – scribe of the oil house
- “Iry ḥekau” – controller of ointments or perfumes
- “Hemnetjer” – priestess roles involving ritual bathing and oiling
These laborers enabled the performance of purification not just as personal hygiene, but as a visual expression of sacredness and wealth.
The Body as Social Symbol
In all cases, the smooth, perfumed, polished body was not just clean—it was culturally correct. It indicated order, status, propriety, and divine alignment.
Whether a woman rubbed her skin with barley paste, or a priest was exfoliated by ritual specialists before donning sacred linen, the end result was the same: a body worthy of being seen—by gods, by the court, by the community.
🧰 Cosmetic Tools and the Labor of Cleansing
Physical cleansing wasn’t performed only with the hands. The archaeological record includes a wide range of grooming and cosmetic tools used for exfoliation and preparation.
Common exfoliation-related tools include:
- Stone or ceramic palettes – for grinding barley, shell, or resins
- Bronze scrapers or spatulas – for applying or scraping off paste
- Coarse linen cloths – woven tightly and used to polish skin
- Foot scrubbing stones – similar in shape to pumice, placed near bathing areas
- Wooden basins and small scoops – for mixing wet scrubs or clay pastes
These tools were often found in both elite and modest graves, suggesting widespread use across classes. The act of scrubbing was personal, intimate, and frequently gendered—performed by mothers for children, servants for their mistresses, and priests for themselves before entering the holy precinct.
🧽 Ritual Exfoliation: Scrubbing Away Chaos
The ancient Egyptians saw the skin as a boundary between the ordered self and the disordered outside world. To exfoliate was not simply to remove dirt—it was to ritually cast off impurity, fatigue, spiritual residue, and the creeping forces of decay (isfet). It was an act of renewal.
While oils and salves nourished the skin, physical exfoliants cleared the way for their absorption—both materially and symbolically. Scrubbing was often paired with washing in sacred water, applying natron, and anointing with scented oils to complete a full ritual of purification.
🌾 Exfoliants in the Archaeological and Medical Record
Ancient recipes and burial goods suggest the use of several organic exfoliants that functioned much like today’s scrubs.
Common materials included:
- Crushed date pits or kernels – durable, fine-grained, and abundant
- Barley flour or ground grain – gentle, nourishing exfoliant
- Ground seashell or oyster shell – used for smoothing rough skin
- Silt or fine sand – carefully applied in small amounts to scrub feet or hands
- Crushed salt crystals – often combined with honey or oils for added texture
📜 Ebers Papyrus – Column 52 contains a prescription:
“To cleanse the skin and give freshness to the limbs: flour of barley, natron, and sweet oil.”
This mixture resembles a grain scrub or polishing paste. The inclusion of natron ensured antiseptic action, while oil soothed the abrasion.
These exfoliants weren’t only cosmetic. Barley was sacred—associated with renewal, Osiris, and the cycle of life. Applying a barley-based scrub before a festival or temple visit was a symbolic gesture of personal regeneration.
⚱️ Purification in Temple and Funerary Rites
Exfoliation and cleansing were not confined to daily life. They formed the backbone of ritual preparation—especially in mortuary and temple contexts.
In the Opening of the Mouth ceremony, performed for the deceased, the body was washed, purified, and anointed before the rites began. Although physical exfoliation is not described explicitly, the use of natron and scrubbing cloths implies full-body cleansing that likely involved physical friction to remove decay and spiritually “wake” the senses.
Relief of an offering bearer holding papyrus reeds, a lotus bouquet, and a purification vessel, representing the tools used in ritual cleansing ceremonies. From the Mastaba of Ptahhotep and Akhethotep, Saqqara, 5th Dynasty.
Priests similarly underwent multi-stage purification:
- Washing with sacred water drawn at sunrise
- Cleansing with natron and silt mixtures
- Shaving and exfoliation before donning ritual linen
📜 In the Ritual of Amenhotep I, priests are instructed:
“Wash the body, smooth the limbs, anoint with divine unguent, and recite the hymn of restoration.”
The phrase “smooth the limbs” may refer to rubbing oil or scrubbing the skin—a combination act of care, cleanliness, and metaphysical preparation.
🖼️ Ritual Cleansing in Art and Text: The Body as Offering
In ancient Egyptian temple and tomb art, cleansing is frequently depicted not as a private act, but as a public and spiritual performance. Washing, scrubbing, and anointing were rendered in formal compositions—establishing the body as a site of transformation, not only through oils and cosmetics, but through water, clay, and natron.
These scenes do not merely document physical practices. They preserve rites, invoking the power of repetition. Just as tomb spells recreated the journey to the afterlife, visual depictions of purification ensured that the soul would be eternally cleansed, renewed, and welcomed by the gods.
Ceramic vessel in the shape of the deity Bes, associated with protection and purification rituals. Such vessels were used to hold cleansing substances during ceremonies. Late Period, Egypt.
🧎♂️ The Pouring Gesture: Water, Order, and Sacred Readiness
One of the most commonly depicted purification gestures is the act of pouring water over the body—whether for the living king, the deceased, or a divine statue.
- Priests in white linen robes pour water from long-spouted libation jars (hes-vases)
- The recipient stands or kneels, arms held outward or downward, in a posture of openness
- Waves or rippling lines beneath the libation signify both literal water and the primordial waters of creation(Nun)
📜 In scenes from the Temple of Karnak and the Tomb of Rekhmire, these gestures are accompanied by inscriptions invoking maʿat and referencing removal of sin, impurity, and defilement.
“You are purified with the water of heaven, you are cleansed with the salt of the Two Lands, your limbs are restored, your breath is renewed.”
These are not metaphors—they are cosmological actions, reenacting the creation of the world and the reconstitution of divine order through the medium of the body.
🪷 Temple Inscriptions and Funerary Spells
The language of purification also appears in liturgical texts, including:
- The Daily Temple Ritual
- Book of the Dead Spells 17, 21, and 125
- Pyramid and Coffin Texts
📜 Spell 17 (Book of the Dead) includes:
“I have washed myself in the sacred lake, I have cleansed my limbs with natron… My face is the face of a falcon. My limbs are the limbs of a god.”
📜 Spell 21 echoes:
“I wash away my impurity with the water of the sky… I am pure, I am strong, I am clean, I am equipped.”
These declarations reflect ritualized exfoliation and spiritual clarity. The association between skin and divine form is made explicit—the physical body, once cleansed and anointed, becomes a vessel for sacred transformation.
🛐 Iconography of Temple Statues and Sacred Tools
Purification tools are also represented in temple reliefs:
- Jars labeled for natron or purifying oils
- Small basins at the feet of divine statues
- Shelves stocked with cloths, scrubbing stones, and unguents
In the Temple of Seti I at Abydos, the ritual washing of Osiris’s image is accompanied by hymns describing the cleansing of the flesh, the “whitening” of his limbs, and the rubbing of sacred oils to protect the body against decay and defilement.
This language mirrors that used in funerary rituals, suggesting that daily cleansing, priestly rites, and mortuary purification were not separate categories—but points along the same spiritual continuum.
🌊 Conclusion: To Cleanse Is to Begin Again
In ancient Egypt, to exfoliate was to renew the self—to remove the physical traces of fatigue and the metaphysical burden of disorder. Whether done before festival, worship, or burial, the act of scrubbing the body was one of transformation.
These practices were not limited to elites. Clay pots filled with natron, linen cloths used for friction, and barley scrubs prepared in household kitchens show that purification was a shared cultural value.
Where today we speak of “self-care,” the Egyptians enacted cosmic care—aligning skin, spirit, and sacred space through cleansing rituals that were as meaningful as they were effective.
About the Author
Dr. Anela Abdel-Rahman, known in the Society for Creative Anachronism as Dame Talia bint al-Athir, OP, is an Egyptologist, cultural practitioner, and court baroness. Her research centers on ancient Egyptian material culture with a focus on textiles, cosmetics, fragrance, and daily life. She teaches throughout the Known World and is active in experimental archaeology and historical education. Dr. Abdel-Rahman holds a doctorate in psychology and integrates her training into the study of embodiment, healing, and sensory experience in antiquity.
Endnotes
- Ebbell, Bendix. The Papyrus Ebers: The Greatest Egyptian Medical Document. Oxford University Press, 1937.
- Nunn, John F. Ancient Egyptian Medicine. University of Oklahoma Press, 2002.
- Lucas, A., and J. R. Harris. Ancient Egyptian Materials and Industries. 4th ed. London: Edward Arnold, 1962.
- Manniche, Lise. Sacred Luxuries: Fragrance, Aromatherapy, and Cosmetics in Ancient Egypt. Ithaca: Cornell University Press, 1999.
- Meeks, Dimitri, and Christine Favard-Meeks. Daily Life of the Egyptian Gods. Trans. G. M. Goshgarian. Cornell University Press, 1996.
- Wilkinson, Richard H. The Complete Temples of Ancient Egypt. London: Thames & Hudson, 2000.
- Roth, Ann Macy. “Personal Piety and the Cult of the Deceased in New Kingdom Egypt.” Egyptian Religion: The Last Thousand Years, Vol. 1. Harvard Egyptological Studies, 2001.
- Hornung, Erik. Conceptions of God in Ancient Egypt: The One and the Many. Cornell University Press, 1982.
Bibliography
Chicago Manual of Style, 17th ed.
Ebbell, Bendix. The Papyrus Ebers: The Greatest Egyptian Medical Document. Oxford: Oxford University Press, 1937.
Hornung, Erik. Conceptions of God in Ancient Egypt: The One and the Many. Ithaca: Cornell University Press, 1982.
Lucas, A., and J. R. Harris. Ancient Egyptian Materials and Industries. 4th ed. London: Edward Arnold, 1962.
Manniche, Lise. Sacred Luxuries: Fragrance, Aromatherapy, and Cosmetics in Ancient Egypt. Ithaca: Cornell University Press, 1999.
Meeks, Dimitri, and Christine Favard-Meeks. Daily Life of the Egyptian Gods. Trans. G. M. Goshgarian. Ithaca: Cornell University Press, 1996.
Nunn, John F. Ancient Egyptian Medicine. Norman: University of Oklahoma Press, 2002.
Roth, Ann Macy. “Personal Piety and the Cult of the Deceased in New Kingdom Egypt.” In Egyptian Religion: The Last Thousand Years, Vol. 1. Harvard Egyptological Studies, 2001.
Wilkinson, Richard H. The Complete Temples of Ancient Egypt. London: Thames & Hudson, 2000.
Suggested Further Reading
- Barbara Watterson, The Gods of Ancient Egypt.
- Renée Friedman and Barbara Adams, The Followers of Horus: Studies Dedicated to Michael Allen Hoffman.
- Janet H. Johnson, ed., Life in a Multi-Cultural Society: Egypt from Cambyses to Constantine and Beyond.
- Gay Robins, Women in Ancient Egypt.
- Kathlyn M. Cooney, The Cost of Death: The Social and Economic Value of Ancient Egyptian Funerary Art.
- Joann Fletcher, Ancient Egyptian Hair and Hairstyles.
- Betsy M. Bryan, “The Beauty of the Body: Cosmetic Preparation and Embodied Aesthetics in the New Kingdom,” in The Art and Culture of Ancient Egypt: Studies in Honor of Dorothea Arnold.
- Salima Ikram, Death and Burial in Ancient Egypt.
Read the final installment of this series here:
Part III: Painted Presence: Cosmetics, Pigment, and Identity in Ancient Egypt